WORK IN PROGRESS

11:00 – 13:00 Work in Progress. (Online, from our Vimeo’s channel and on site, open to the audience).

Desayuno para tres

DIR: Jaime Gómez

Carlos walks down the corridor of his house, heading for his room, carrying a tray with two plates of breakfast. He knows that his partner, Francisco, is in a parallel relationship with another man. He needs to understand how they got to this point. He wanders in his thoughts looking for a justification, but he finds much more than that: Carlos finds a reason for the dishes on the tray to become a breakfast for three.

Era una fiesta

DIR: Osama Chami, Enrique Gimeno

Pedro wants to be a writer, but he can’t finish his novel. In his obsession he begins to muddle reality with fiction. His boyfriend, also a writer, is adapting his book into a film.

Pedro is dancing in a club when the producer of his boyfriend’s film takes him home. Pedro wakes up next to a lifeless body, remembering nothing. He flees the house and catches the first train out of Madrid. He arrives at a small town and meets 16-year-old Lucas, who helps him regain his self-confidence. He also meets the bar waiter, who awakens his dark side. Pedro wakes up next to someone full of blood, and decides to return to Madrid and face his ghosts, knowing that he may be responsible for a murder.

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Las chicas del polígono

DIR: Cecilia Montagut

Ninfa, Marcela, Beyonce, Verónica and other trans, migrant and street whores (as they call themselves) from the Polígono de Villaverde (Madrid) explore their daily lives by filming themselves with their mobile phones. The resulting images portray their most private and militant everyday life. In the interstices, one can see the prejudices, stereotypes, double standards and violence of the society in which we live. Through them, we discover the strength of empowerment despite COVID 19, stigma and institutional harassment.

Los confidentes

DIR: Diego Sabanés

The letters exchanged twenty years ago by several gay teenagers from Spanish towns are the vehicle for their re-encounter, and to see how the way we relate to each other and use public space as an engine of identity has changed.

DIR: Ferran Navarro

Rosa goes to a village swimming pool, where her daughter is working as a lifeguard, to recover their relationship. The meeting will be very special because that day her daughter turns 18 and because it will be the first time she sees Rosa after her transition to womanhood. 

 

Rosa

DIR: Ferran Navarro

Rosa goes to a village swimming pool, where her daughter is working as a lifeguard, to recover their relationship. The meeting will be very special because that day her daughter turns 18 and because it will be the first time she sees Rosa after her transition to womanhood.

Tu tijera en mi oreja

DIR: Carlos Ruano

On preparing to close his hairdressing salon, Andrés receives the annoying arrival of a last customer who, just a day away from getting married, asks him for a haircut. Out of compassion and seeing a certain anguish in the client’s smile, Andrés accepts and begins to prepare him to finish as soon as possible. But as he puts on the dressing gown and stares into the man’s eyes, he feels he knows him and begins to think he may have something in common with the man. What was supposed to be a tedious last job of the day becomes the last chance to settle up with the past.