{"id":3897,"date":"2019-01-29T19:53:48","date_gmt":"2019-01-29T19:53:48","guid":{"rendered":"https:\/\/zinegoak.com\/?p=3897"},"modified":"2019-02-04T16:41:35","modified_gmt":"2019-02-04T16:41:35","slug":"i-dont-belong-anywhere-the-cinema-of-chantal-akerman","status":"publish","type":"post","link":"https:\/\/zinegoak.com\/EU\/i-dont-belong-anywhere-the-cinema-of-chantal-akerman\/","title":{"rendered":"I DON\u2019T BELONG ANYWHERE: THE CINEMA OF CHANTAL AKERMAN"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]<\/p>\n<h1 class=\"p1\" style=\"text-align: center;\"><b>I DON\u2019T BELONG ANYWHERE: THE CINEMA OF CHANTAL AKERMAN<\/b><\/h1>\n<h2 style=\"text-align: center;\"><b>EZ NAIZ INONGOA: CHANTAL AKERMANEN ZINEA<\/b><\/h2>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/3&#8243; el_class=&#8221;.ficha_films&#8221; css=&#8221;.vc_custom_1548523457979{border-top-width: 2px !important;border-right-width: 2px !important;border-bottom-width: 2px !important;border-left-width: 2px !important;padding-top: 5px !important;padding-right: 5px !important;padding-left: 5px !important;background-color: #dddddd !important;border-left-color: #dddddd !important;border-right-color: #dddddd !important;border-top-color: #dddddd !important;border-bottom-color: #dddddd !important;border-radius: 10px !important;}&#8221;][vc_column_text]<\/p>\n<p><strong>Zuz<\/strong>: <span style=\"font-weight: 400;\">Marianne Lambert<\/span><\/p>\n<p><strong>Gid: <span style=\"font-weight: 400;\">Marianne Lambert<\/span> <\/strong><\/p>\n<hr \/>\n<p class=\"p1\">Belgika | 2015 | 67\u2019 | dok | J.B. frantsesa, azpitituluak gaztelaniaz eta ingelesez<\/p>\n<hr \/>\n<p>[\/vc_column_text][\/vc_column][vc_column width=&#8221;2\/3&#8243; el_class=&#8221;.resumen_films&#8221; css=&#8221;.vc_custom_1548523500115{padding-left: 10px !important;}&#8221;][vc_column_text]<\/p>\n<p><span style=\"font-weight: 400;\">Bruselatik Tel Avivera, Parisetik New Yorkera, Chantal Akermanek bere bidaietan bisitatu zituen lekuetara eramaten gaitu dokumentalak. Akerman zinemagile esperimentala eta nomada da, eta gurekin partekatzen duen bidaia zinematografiko honetan, bere bizitzaren zentzua zalantzan jartzen du, ikuslearen estima galtzeko edota publikoari kontra egiteko arriskua hartuz. Bere muntatzaile Claire Atherton-ekin batera, bere hizkuntza eta hautu estetikoen jatorria azaltzen du. Gus Van Sant zuzendari estatubatuarrak adierazten duen bezala, film dinamiko eta berritzaileak dira, gaur egun ere hainbat artistengan eragina dutenak. <\/span><\/p>\n<hr \/>\n<p class=\"p1\"><span style=\"font-weight: 400;\">promo@cbadoc.be<\/span><\/p>\n<p>[\/vc_column_text][vc_gallery interval=&#8221;0&#8243; images=&#8221;3898&#8243; img_size=&#8221;medium&#8221;][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_column_text] I DON\u2019T BELONG ANYWHERE: THE CINEMA OF CHANTAL AKERMAN EZ NAIZ INONGOA: CHANTAL AKERMANEN ZINEA [\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/3&#8243; el_class=&#8221;.ficha_films&#8221; css=&#8221;.vc_custom_1548523457979{border-top-width: 2px !important;border-right-width: 2px !important;border-bottom-width: 2px !important;border-left-width: 2px !important;padding-top: 5px !important;padding-right: 5px !important;padding-left: 5px !important;background-color: #dddddd !important;border-left-color: #dddddd !important;border-right-color: #dddddd !important;border-top-color: #dddddd !important;border-bottom-color: #dddddd !important;border-radius: 10px !important;}&#8221;][vc_column_text] Zuz: Marianne Lambert Gid: Marianne Lambert Belgika | 2015 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3898,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[159],"tags":[],"class_list":["post-3897","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-321-toparte"],"_links":{"self":[{"href":"https:\/\/zinegoak.com\/EU\/wp-json\/wp\/v2\/posts\/3897","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zinegoak.com\/EU\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/zinegoak.com\/EU\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/zinegoak.com\/EU\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/zinegoak.com\/EU\/wp-json\/wp\/v2\/comments?post=3897"}],"version-history":[{"count":2,"href":"https:\/\/zinegoak.com\/EU\/wp-json\/wp\/v2\/posts\/3897\/revisions"}],"predecessor-version":[{"id":4391,"href":"https:\/\/zinegoak.com\/EU\/wp-json\/wp\/v2\/posts\/3897\/revisions\/4391"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/zinegoak.com\/EU\/wp-json\/wp\/v2\/media\/3898"}],"wp:attachment":[{"href":"https:\/\/zinegoak.com\/EU\/wp-json\/wp\/v2\/media?parent=3897"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/zinegoak.com\/EU\/wp-json\/wp\/v2\/categories?post=3897"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/zinegoak.com\/EU\/wp-json\/wp\/v2\/tags?post=3897"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}