{"id":6318,"date":"2021-02-13T15:46:30","date_gmt":"2021-02-13T14:46:30","guid":{"rendered":"https:\/\/zinegoak.com\/?p=6318"},"modified":"2022-02-21T13:08:05","modified_gmt":"2022-02-21T12:08:05","slug":"enfant-terrible","status":"publish","type":"post","link":"https:\/\/zinegoak.com\/EU\/enfant-terrible\/","title":{"rendered":"ENFANT TERRIBLE"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]<\/p>\n<h1 class=\"p1\" style=\"text-align: center;\"><strong>ENFANT TERRIBLE<\/strong><\/h1>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/3&#8243; el_class=&#8221;.ficha_films&#8221; css=&#8221;.vc_custom_1613144267056{border-top-width: 2px !important;border-right-width: 2px !important;border-left-width: 2px !important;padding-top: 5px !important;padding-right: 5px !important;padding-left: 5px !important;background-color: #dddddd !important;border-left-color: #dddddd !important;border-right-color: #dddddd !important;border-top-color: #dddddd !important;border-radius: 10px !important;}&#8221;][vc_column_text]<strong>Zuz<\/strong>:\u00a0<span class=\"s1\">Oskar Roehler<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\"><strong>Gid<\/strong>:\u00a0<\/span>Klaus Richter<\/p>\n<p class=\"p1\"><span class=\"s1\"><b>Akt<\/b>:\u00a0<\/span>Oliver Masucci, Katya Riemann, Isolde Barth<\/p>\n<hr \/>\n<p class=\"p1\">Alemania | 2020 | 134\u2019 | Fik | J.B. alemanez, azpitituluak ingelesez eta gaztelaniaz<\/p>\n<hr \/>\n<p class=\"p1\">Estreinaldia Euskadin<\/p>\n<hr \/>\n<p class=\"p1\">Yael Chouraqui (Picture Tree International) \/ festivals@picturetree-international.com<\/p>\n<p>[\/vc_column_text][\/vc_column][vc_column width=&#8221;2\/3&#8243; el_class=&#8221;.resumen_films&#8221; css=&#8221;.vc_custom_1613144217119{padding-left: 20px !important;}&#8221;][vc_column_text]<\/p>\n<p class=\"p1\">22 urte zituela, Municheko <i>Antiteatroan<\/i> agertu zen Rainer Werner Fassbinder, 1967an, eta, ez bat eta ez bi, bere gain hartu zuen antzerki-ekoizpenaren ardura. Inork ez zuen pentsatuko Alemaniako gerra ondoko zinemagilerik garrantzitsuenetako bat izango zenik. Haren izaera grinatsu eta inpultsiboak segituan erakarri zituen bere miresleak, bai aktoreak, bai nartzisistak, bai beste interesdun batzuk. Hasierako gorabeherak alde batera utzita, haren filmetatik askok arrakasta handia izan zuten munduko zinema-jaialdi ospetsuenetan, eta ikus-entzuleek, kritikariek eta beste zinemagileek txalotu zein gorrotatu izan dute. Haren haserreei eta amodio-gurariei, zein autoesplotazioari esker, zinema-zuzendari gogoangarri eta erradikalena bihurtu da, enfant terrible bat.<\/p>\n<p class=\"p2\">Rainer Werner Fassbinder aipatzea ur handitan murgiltzea da. Zinematografikoki sortzailea, eta, era berean, suntsitzailea esparru pertsonalean, beti bezain garaikide, gaur egungo zinemagile asko bezain abangoardista. Ezohiko biopic bat, RWRren munduan barneratzeko ezinbestekoa.<\/p>\n<hr \/>\n<p class=\"p1\"><b>JAIALDIAK<\/b><\/p>\n<p class=\"p1\">2020: Cannes Film Festival, Hamburg Film Festival<\/p>\n<p>[\/vc_column_text][vc_single_image image=&#8221;6198&#8243; img_size=&#8221;100&#215;29&#8243; onclick=&#8221;custom_link&#8221; link=&#8221;https:\/\/www.filmin.es\/festival\/zinegoak&#8221; css=&#8221;.vc_custom_1613144695912{padding-bottom: -20px !important;}&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=&#8221;6305&#8243; img_size=&#8221;full&#8221;][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_column_text] ENFANT TERRIBLE [\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/3&#8243; el_class=&#8221;.ficha_films&#8221; css=&#8221;.vc_custom_1613144267056{border-top-width: 2px !important;border-right-width: 2px !important;border-left-width: 2px !important;padding-top: 5px !important;padding-right: 5px !important;padding-left: 5px !important;background-color: #dddddd !important;border-left-color: #dddddd !important;border-right-color: #dddddd !important;border-top-color: #dddddd !important;border-radius: 10px !important;}&#8221;][vc_column_text]Zuz:\u00a0Oskar Roehler Gid:\u00a0Klaus Richter Akt:\u00a0Oliver Masucci, Katya Riemann, Isolde Barth Alemania | 2020 | 134\u2019 | Fik | J.B. alemanez, azpitituluak ingelesez eta gaztelaniaz Estreinaldia Euskadin Yael [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":6305,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-6318","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sin-categoria"],"_links":{"self":[{"href":"https:\/\/zinegoak.com\/EU\/wp-json\/wp\/v2\/posts\/6318","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zinegoak.com\/EU\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/zinegoak.com\/EU\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/zinegoak.com\/EU\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/zinegoak.com\/EU\/wp-json\/wp\/v2\/comments?post=6318"}],"version-history":[{"count":5,"href":"https:\/\/zinegoak.com\/EU\/wp-json\/wp\/v2\/posts\/6318\/revisions"}],"predecessor-version":[{"id":6905,"href":"https:\/\/zinegoak.com\/EU\/wp-json\/wp\/v2\/posts\/6318\/revisions\/6905"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/zinegoak.com\/EU\/wp-json\/wp\/v2\/media\/6305"}],"wp:attachment":[{"href":"https:\/\/zinegoak.com\/EU\/wp-json\/wp\/v2\/media?parent=6318"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/zinegoak.com\/EU\/wp-json\/wp\/v2\/categories?post=6318"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/zinegoak.com\/EU\/wp-json\/wp\/v2\/tags?post=6318"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}