{"id":2751,"date":"2018-02-03T10:27:42","date_gmt":"2018-02-03T10:27:42","guid":{"rendered":"https:\/\/zinegoak.com\/?p=2751"},"modified":"2019-02-04T20:05:14","modified_gmt":"2019-02-04T20:05:14","slug":"laconductadelosanimales","status":"publish","type":"post","link":"https:\/\/zinegoak.com\/en\/laconductadelosanimales\/","title":{"rendered":"LA CONDUCTA DE LOS ANIMALES"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

LA CONDUCTA DE LOS ANIMALES<\/h1>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/3″ el_class=”.ficha_films” css=”.vc_custom_1515570105995{border-top-width: 2px !important;border-right-width: 2px !important;border-bottom-width: 2px !important;border-left-width: 2px !important;padding-top: 5px !important;padding-left: 5px !important;background-color: #dddddd !important;border-left-color: #dddddd !important;border-right-color: #dddddd !important;border-top-color: #dddddd !important;border-bottom-color: #dddddd !important;border-radius: 10px !important;}”][vc_column_text]<\/p>\n

AUTHOR, CHOREOGRAPHER, CAST<\/span><\/strong>:\u00a0<\/b><\/span>Eduardo Hurtado<\/p>\n

SCENIC DESIGN<\/span>:\u00a0<\/span><\/strong>Mikel Rueda<\/p>\n

ON-STAGE COACH<\/span><\/strong>:\u00a0<\/b><\/span>Aimar P\u00e9rez Gal\u00ed<\/p>\n

SCENIC COLLABORATION<\/span><\/strong>:\u00a0<\/b><\/span>Miren Gazta\u00f1aga<\/p>\n

SOUND SPACE:<\/strong> <\/span>Asier Renteria<\/p>\n

COSTUME DESIGN: <\/span><\/strong>Pedro Lobo & Sinpatron<\/p>\n

\n

Basque Country | 2018 | 60\u2019<\/p>\n

\n

O.V. Spanish<\/p>\n

\n

Edu Hurtado > edurtado@gmail.com<\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=”2\/3″ el_class=”.resumen_films” css=”.vc_custom_1515570039518{padding-left: 5px !important;}”][vc_column_text]<\/p>\n

This is dance\/performance art piece that arises from the aforementioned text as queer, hortatory scenic copy, created specifically for Zinegoak in the context of La Fundici\u00f3n, the adaptation of which into a scenic piece explicitly deals with child abuse and mistreatment.<\/p>\n

It is a compendium of fragments relating to drums and wildness: the mirror. A meeting of howls in the night. The cave. A swinging rope. A guttural transformation \u2013 not predetermined. Animalising the body and shouting. A silence. A face that slips slowly along a stone wall. A spell \u2013 a way to exhort the wound that separates us, just at the exact moment that a mob of children brutally attack the chimera in the school playground. The hunt.<\/p>\n

This project was supported by Histeria Kolektiboa in 2017.<\/p>\n

\u00a0[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_column_text] LA CONDUCTA DE LOS ANIMALES [\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/3″ el_class=”.ficha_films” css=”.vc_custom_1515570105995{border-top-width: 2px !important;border-right-width: 2px !important;border-bottom-width: 2px !important;border-left-width: 2px !important;padding-top: 5px !important;padding-left: 5px !important;background-color: #dddddd !important;border-left-color: #dddddd !important;border-right-color: #dddddd !important;border-top-color: #dddddd !important;border-bottom-color: #dddddd !important;border-radius: 10px !important;}”][vc_column_text] AUTHOR, CHOREOGRAPHER, CAST:\u00a0Eduardo Hurtado SCENIC DESIGN:\u00a0Mikel Rueda ON-STAGE COACH:\u00a0Aimar P\u00e9rez Gal\u00ed SCENIC COLLABORATION:\u00a0Miren Gazta\u00f1aga SOUND SPACE: Asier Renteria COSTUME DESIGN: Pedro […]<\/p>\n","protected":false},"author":1,"featured_media":2283,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-2751","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sin-categoria"],"_links":{"self":[{"href":"https:\/\/zinegoak.com\/en\/wp-json\/wp\/v2\/posts\/2751","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zinegoak.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/zinegoak.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/zinegoak.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/zinegoak.com\/en\/wp-json\/wp\/v2\/comments?post=2751"}],"version-history":[{"count":5,"href":"https:\/\/zinegoak.com\/en\/wp-json\/wp\/v2\/posts\/2751\/revisions"}],"predecessor-version":[{"id":3108,"href":"https:\/\/zinegoak.com\/en\/wp-json\/wp\/v2\/posts\/2751\/revisions\/3108"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/zinegoak.com\/en\/wp-json\/wp\/v2\/media\/2283"}],"wp:attachment":[{"href":"https:\/\/zinegoak.com\/en\/wp-json\/wp\/v2\/media?parent=2751"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/zinegoak.com\/en\/wp-json\/wp\/v2\/categories?post=2751"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/zinegoak.com\/en\/wp-json\/wp\/v2\/tags?post=2751"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}