{"id":3897,"date":"2019-01-29T19:53:48","date_gmt":"2019-01-29T19:53:48","guid":{"rendered":"https:\/\/zinegoak.com\/?p=3897"},"modified":"2019-02-04T16:41:35","modified_gmt":"2019-02-04T16:41:35","slug":"i-dont-belong-anywhere-the-cinema-of-chantal-akerman","status":"publish","type":"post","link":"https:\/\/zinegoak.com\/en\/i-dont-belong-anywhere-the-cinema-of-chantal-akerman\/","title":{"rendered":"I DON\u2019T BELONG ANYWHERE: THE CINEMA OF CHANTAL AKERMAN"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]<\/p>\n<h1 class=\"p1\" style=\"text-align: center;\"><b>I DON\u2019T BELONG ANYWHERE: THE CINEMA OF CHANTAL AKERMAN<\/b><\/h1>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/3&#8243; el_class=&#8221;.ficha_films&#8221; css=&#8221;.vc_custom_1548523457979{border-top-width: 2px !important;border-right-width: 2px !important;border-bottom-width: 2px !important;border-left-width: 2px !important;padding-top: 5px !important;padding-right: 5px !important;padding-left: 5px !important;background-color: #dddddd !important;border-left-color: #dddddd !important;border-right-color: #dddddd !important;border-top-color: #dddddd !important;border-bottom-color: #dddddd !important;border-radius: 10px !important;}&#8221;][vc_column_text]<\/p>\n<p><strong>Dir<\/strong>: <span style=\"font-weight: 400;\">Marianne Lambert<\/span><\/p>\n<p><strong>Scr: <span style=\"font-weight: 400;\">Marianne Lambert<\/span> <\/strong><\/p>\n<hr \/>\n<p class=\"p1\">Belgium | 2015 | 67\u2019 | doc | O.V. French with Spanish and English subtitles<\/p>\n<hr \/>\n<p>[\/vc_column_text][\/vc_column][vc_column width=&#8221;2\/3&#8243; el_class=&#8221;.resumen_films&#8221; css=&#8221;.vc_custom_1548523500115{padding-left: 10px !important;}&#8221;][vc_column_text]<\/p>\n<p><span style=\"font-weight: 400;\">From Brussels to Tel Aviv, from Paris to New York, the documentary takes us to all of the places Chantal Akerman visited on her travels. An experimental filmmaker and a nomad, she shares with us her cinematographic journey, which continually questions the meaning of her existence at the risk of not winning the audience over or of confronting it. With her editor, Claire Atherton, she explains the origins of her language and of its esthetical biases. Lively, innovative films, which continue to influence a number of artists, as evidenced by American director Gus Van Sant.<\/span><\/p>\n<hr \/>\n<p class=\"p1\"><span style=\"font-weight: 400;\">promo@cbadoc.be<\/span><\/p>\n<p>[\/vc_column_text][vc_gallery interval=&#8221;0&#8243; images=&#8221;3898&#8243; img_size=&#8221;medium&#8221;][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_column_text] I DON\u2019T BELONG ANYWHERE: THE CINEMA OF CHANTAL AKERMAN [\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/3&#8243; el_class=&#8221;.ficha_films&#8221; css=&#8221;.vc_custom_1548523457979{border-top-width: 2px !important;border-right-width: 2px !important;border-bottom-width: 2px !important;border-left-width: 2px !important;padding-top: 5px !important;padding-right: 5px !important;padding-left: 5px !important;background-color: #dddddd !important;border-left-color: #dddddd !important;border-right-color: #dddddd !important;border-top-color: #dddddd !important;border-bottom-color: #dddddd !important;border-radius: 10px !important;}&#8221;][vc_column_text] Dir: Marianne Lambert Scr: Marianne Lambert Belgium | 2015 | 67\u2019 | doc | O.V. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3898,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[159],"tags":[],"class_list":["post-3897","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-321-toparte"],"_links":{"self":[{"href":"https:\/\/zinegoak.com\/en\/wp-json\/wp\/v2\/posts\/3897","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zinegoak.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/zinegoak.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/zinegoak.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/zinegoak.com\/en\/wp-json\/wp\/v2\/comments?post=3897"}],"version-history":[{"count":2,"href":"https:\/\/zinegoak.com\/en\/wp-json\/wp\/v2\/posts\/3897\/revisions"}],"predecessor-version":[{"id":4391,"href":"https:\/\/zinegoak.com\/en\/wp-json\/wp\/v2\/posts\/3897\/revisions\/4391"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/zinegoak.com\/en\/wp-json\/wp\/v2\/media\/3898"}],"wp:attachment":[{"href":"https:\/\/zinegoak.com\/en\/wp-json\/wp\/v2\/media?parent=3897"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/zinegoak.com\/en\/wp-json\/wp\/v2\/categories?post=3897"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/zinegoak.com\/en\/wp-json\/wp\/v2\/tags?post=3897"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}